In Paramount Picture’s animated short, a mysterious company run by an AI Robot, Chrome Dome, seeks to profit off the boy’s new hero status… with cheap, twisted, and lame looking toys that barely resemble the team.
Boasting nearly 30 years’ experience, the visual effects vet joins from the Cinesite group, where he served as VFX Supervisor on projects including ‘Black Widow,’ ‘Loki,’ and ‘Black Panther: Wakanda Forever.’
The project, based on the popular Bernard Werber novel, will be produced using live-action for the human narrative and VFX for the ant world.
VFX Supervisor Karen Heston talks gender-changing and shrinking/growing characters, moveable silicone blood mats, and capturing as much as possible in-camera on the second season of the Prime Video ‘The Boys’ spinoff about students at Godolkin University whose lives are complicated by injections of Compound V.
Watch the VFX breakdown reel featuring the studio’s work crafting 210 visual effects shots across 4 episodes; highlights include the parasite-ridden Greylock, reimagined Roach Hounds, and the unsettling Mother and Little Rusalka swamp duo.
The announcement was made with a Wasteland transformation on the Exosphere of Sphere in Las Vegas; premiere set for today, December 16.
The hugely successful author and screenwriter brings his and his team’s personal experience – and plenty of real stories – to the new 3DCG film about Greg Heffley dealing with his father Frank’s outsized expectations; based on his novels that follow a disaster-prone middle school student, it’s now streaming on Disney+.
The studio contributed visual effects across multiple episodes of the Netflix fantasy series, including two technically complex fight sequences in Episode 6; work includes choreographed battles, magic, blood, and CG swords.
The Oscar-nominated filmmaker discusses his and Maciek Szczerbowski’s latest stop-motion tour de force, how the tough decision to cut 3 minutes was the right call, and how a ‘beautiful film’ is easily forgotten if the story doesn’t move the audience.
The 3D animated film, produced at Mexico’s Escena Animation Studio, tells the story of shipwrecked family whose father’s efforts to secure their rescue blinds him to his neglect and the mistrust he fostered in his eldest daughter, who forces him to choose between his dreams and his children.
The 2 giants have signed an MOU to explore the development of new rendering and AI tools aimed at optimizing visual effects production workflows.
The six-episode season, set a century before the events of ‘Game of Thrones,’ debuts January 18; will also stream on HBO Max.
The final lineup for the free event, which each year spotlights the VFX and animation industries, features over 65 speakers across 15 hours of talks; will live stream via YouTube on December 8.
The new release, shaped directly by creator feedback, includes upgrades to Cinema 4D, Redshift, ZBrush, and Red Giant; available now to all subscribers.
Kat Good takes the helm, and Justin Tranter boards as executive music producer, for the first feature in the franchise, a 3DCG film animated by the DNEG Group.
The Executive Producer reflects on acclaimed projects like Chris Lavis and Maciek Szczerbowski’s new film, her support for diverse creators, and her efforts to sustain the NFB’s legacy of innovation through a collaborative production model that continues to achieve major festival and awards success.
A bite-sized hero takes center stage in the children’s book and commercial, narrated by Mindy Kaling; supports the Dunkin’ Joy in Childhood Foundation.
The studio delivered over 200 visual effects shots on the Apple TV film, starring Matthew McConaughey, inspired by real events of the 2018 Camp Fire, the deadliest US wildfire in the last century.
Bob delivers a heartfelt love ballad to the Turkey he’s preparing for the holiday… as only he, in his inimitable way, can do, in the all-new short.
All-new animated comedy from the studio that made ‘KPop Demon Hunters’ tells the story of Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play ‘roarball’ with the fiercest animals in the world; in theaters February 13.
Season 2 premieres March 10, 2026; cast members Charithra Chandran, Mikaela Hoover, Joe Manganiello, Lera Abova, and Sendhil Ramamurthy will return as series regulars in Season 3.
The ‘Alien: Earth’ and ‘It’s Always Sunny in Philadelphia’ creators will executive produce the limited series, based on Ubisoft’s video game franchise.
The hilariously bizarre show, which blends 2D and 3D animation, CGI, puppetry, photorealism, and live-action, will return on Cartoon Network’s international channels and HBO Max early next year.
‘A Knight Of The Seven Kingdoms’ will return for Season 2 in 2027 - Season 1 debuts this coming January 18; ‘House Of The Dragon’ Season 4 will premiere in 2028 – Season 3 returns summer 2026.
Linda has a strong reaction when Tina buys a tiny tube top. Meanwhile, Bob, Teddy, Louise and Gene deal with the consequences of a rare bird flying into the window of the restaurant; airs Sunday, November 23 on FOX.
