VFX Supervisor Erik Winquist and Animation Supervisor Paul Story talk apes, plates, solvers, water, and other constituents of their heroic work on 20th Century Studios’ all-new action-adventure, ‘Kingdom of the Planet of the Apes.’
My ‘interview with the vampire’ on the uncertainty and upheaval in Hollywood.
The Accelerator course will allow trainees in London to shoot a film on an 8,000 square-foot LED stage with the same MARS LED volume used on ‘3 Body Problem,’ ‘Culprits,’ ‘Gangs of London,’ and other projects.
The free iPhone app, a single-user version of the company’s ViewScreen Scout Pro production visualization tool, let’s individuals scout a scene or shot, envisioning how digital assets will blend into real-world environments before live-action shooting begins.
VFX Supervisor Jason Greenblum talks the singular challenges and dedicated craftsmanship involved in the creation of the visual effects for the latest iteration of the beloved Sony franchise.
Discover the future of entertainment production with the groundbreaking collaboration between NVIDIA and HPC solution provider Exxact - uncover the power of OpenUSD and NVIDIA Omniverse™ Enterprise in revolutionizing the Media & Entertainment (M&E) landscape.
Kelsey Mann and Josh Cooley will present their upcoming animated features in-person at the special, 25th Anniversary Edition of the conference that’s taking place October 14-19, 2024, in Turin, Italy.
Studio’s VFX team delivered over 800 shots, including all space environments, on director Johan Renck’s sci-fi drama starring Adam Sandler and Carey Mulligan; film now streaming on Netflix.
The 51st annual conference, focusing on computer graphics, interactive techniques and technical innovation, returns to its origins in Denver, Colorado, running July 28 – August 1.
Attendees can explore the sound design of ‘Dune Part 2,’ the visual effects of ‘Avatar: The Last Airbender,’ and the invisible VFX of Ridley Scott's ‘Napoleon;’ 4-day event kicks off in Stuttgart on April 23, 2024.
VFX supervisor, director, and executive producer Jabbar Raisani led a monumental effort to deliver almost 3,400 visual effects shots on the live-action adaptation of Nickelodeon’s famed animated series, recreating the magical world of benders, who control the natural elements of fire, water, wind, and earth, and the mediator known as the Avatar.
The new toolset enables the moving of 3D scenes quickly from industry-standard creation tools onto LED screens without the slow data conversion process.
Attendees can explore the stylistic design choices behind ‘Kung Fu Panda 4’ and gain insight into artistic and technological innovations developed for ‘Ghostbusters: Frozen Empire;’ 4-day event kicks off in Stuttgart on April 23, 2024.
The oldest Greek animation festival returns virtually for its 19th edition March 28 – 31.
With the addition of the production management solution, the tech giant’s industry cloud for M&E, Flow, will link previously disparate workflows of pre-and post-production, fostering broader collaboration and efficiency.
The mystery-thriller, which take viewers into a galaxy of shadowy secrets and emerging dark-side powers in the final days of the High Republic era, debuts June 4 with its first 2 episodes exclusively on Disney+.
4-day event kicks off in Stuttgart on April 23, 2024; new program confirmations include ‘The Power of Collaboration’ a discussion of Global Inclusion, Community, and Connection and Feature VFX: A look behind the scenes of ‘The Creator;’ tickets are now on sale
Budapest-based full-service animation and VFX company set sights on expanded global identity; LA-based VFX professional Mark Nazal will lead the studio’s North American efforts.
SFX Supervisor Jeremy Hays and VFX Producer Whitney Richman discuss the challenges of conceptualizing and creating scenes involving astral projection, underwater characters that aren’t actually underwater, and the lead character, Cassandra Webb, falling off a bridge during a motor vehicle rescue, on S.J. Clarkson and Sony Pictures’ suspense thriller.
A real-time animation primer for the uninitiated.
Take a deeper look at ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon,’ all vying for the Best Visual Effects Oscar at the 96th Academy Awards coming March 10, 2024.
New confirmations include a look at Yorgos Lanthimos’ ‘Poor Things’ VFX, and the crafting of animated features ‘Nimona’ and ‘Leo;’ 4-day conference returns in person April 23-26, and on demand April 27-May 31.
Shirogumi VFX supervisor Kiyoko Shibuya helped deliver 620 shots, including the giant beast crushing the heavy cruiser Takao, all on a shoestring budget, in Takashi Yamazaki’s hit sci-fi thriller, nominated for a best VFX Oscar at this year’s Academy Awards.
Italy’s premiere animation and visual effects event will run in-person October 14-19 in Torino, Italy featuring a program of talks, presentations, workshops, and masterclasses presented by a stellar lineup of top industry professionals.
Attendees can explore ‘Loki’ Season 2 timeline mayhem and get insight into the making of the 60th anniversary ‘Doctor Who’ special episode; 4-day event kicks off in Stuttgart on April 23, 2024.
