To drive the hit film’s social media and blue carpet premieres, the VFX powerhouse seamlessly integrated live performance capture and real-time animation technology with teams from Disney Studios and Skywalker Sound.
The AI-native 3D tool that turns simple prompts into editable 3D scenes is designed specifically for creatives who work in film, advertising, events, and interactive projects.
Designed for digital sketching and drawing and geared towards young creatives and aspiring professionals, the device will be available for purchase on the Wacom eStore, Amazon, Best Buy, and Wacom authorized resellers.
Company’s second location extends service offerings, featuring a PMC-powered 9.1.4 Dolby Atmos mixing room with an Avid S6 console; includes curated selection of premium microphones, preamps, and outboard equipment bookable now ahead of its July 17 launch.
The funding will support the company’s strategy to transform children’s IPs into multi-format properties through a hybrid model combining AI-powered production with platform-native content development; strategic IP acquisitions will be accelerated.
VFX Supervisor Piotr Karwas and Senior Animation Supervisor Liz Bernard talk the challenges of honoring the hugely popular game’s blocky aesthetic while creating the visually appealing final battle filled with 500 Piglins fighting dozens of Iron Golems, much with keyframe animation, all obeying the laws of physics.
Submit your work by July 13 - multiple categories include shorts, visualizations, VFX sequences, game cinematics, and real-time pieces; conference runs December 15-18 in Hong Kong.
The production-proven renderer arrives natively in the 3D creation tool for the first time; standalone version is available for Blender users at a special price and current V-Ray license holders for free.
The studio delivered 35 minutes of visualization across all 8 episodes using a unique Sketchvis pipeline to create the ‘channeling’ of different powers before final effects were in place.
The new U.S.-based company will develop, produce, and globally distribute original IPs and adaptations through unique production models; first strategic partnership is with Will Smith-founded Westbrook, Inc.
VFX supervisor Stuart Penn discusses the quirky, grisly mayhem, including the Niflheim ice cavern, native creatures known as Creepers, and our hero’s multiple deaths and subsequent regenerations, in Bong Joon-ho’s dark, sci-fi comedy.
VFX supervisor Scott Pritchard talks Tie fighter protypes, Sienar and Coruscant environments, the epic Palmo Plaza massacre, and Alan Tudyk’s K-2SO droid, on the second and final season of Lucasfilm’s critically acclaimed ‘Rogue One’ prequel series, now streaming on Disney+.
Created in collaboration with brand design agency Design Bridge and Partners London, the hero spot ‘Always Get Back Up’ runs across TV and VOD.
The company aims to expand integrations via SDKs and APIs; grow its data infrastructure and motion library; launch strategic partnerships; and hire across multiple departments.
The list of new AMPAS member invitees includes 41 in Animation, 25 in Visual Effects, 29 in Production Design, and 25 in Production and Technology.
Patron and Point72 Ventures led the seed round for Chris deFaria and Aaron Sisto’s new entertainment company, with its proprietary promotion and analytics platform, that is supporting new, original IP development by backing creators and their ideas for TV, feature film and short-form projects.
Eligible entries include devices, methods, formulas, discoveries, and inventions of outstanding value to moviemaking; must be received by July 24.
The platform is the first to provide GPU-powered MultiCloud rendering for UE across Google Cloud Platform (GCP), Amazon Web Services (AWS), and CoreWeave.
BBC Studios’ Science Unit’s six-part series was created in collaboration with the VFX studio, who crafted 791 VFX/animation shots including complex environments and 21 unique dinosaur species.
The studio shares how the flexible, customizable pipeline helped them deliver 700-800 mostly invisible VFX shots, including editorial splits, performance tweaks and background cleanups, on the iconic filmmaker's latest movie, now in theaters.
The virtual production solution provides users with flexible tracking for cameras positioned anywhere on In-Camera Visual Effects stages.
Disguise Creative Services spent 52 weeks on Jared Hess’ hit action comedy, working as a virtual art department to create 20 digital environments in Unreal Engine that were used in pre-production, production and post.
ASIFA-Hollywood celebrates the best the industry has to offer at animation’s most prestigious awards ceremony, February 21, 2026, at UCLA’s Royce Hall.
Stuttgart International Festival of Animated Film is a premier event for the animation industry, fostering idea exchange, partnerships, and showcasing new talent.
Now available, the free online course, produced in conjunction with educational platform Yellowbrick and hosted by director Kris Pearn, introduces learners of all ages and levels of experience to the art and industry of animated filmmaking.
