Users can now batch add-to-cart, batch download, and batch export assets directly to the digital content creation (DCC) tool with one click.
Company unifies Cinema 4D, ZBrush, Redshift, and Red Giant in an ecosystem redesign, with new feature capabilities across VFX, 3D modeling, and motion graphics solutions.
Entries will be accepted through October 31, 2025 for projects released between January 1 and December 31, 2025; the awards gala is set for February 26, 2026.
Hit adaptation of Isaac Asimov’s famed saga of psychohistorian Hari Seldon gets another season; starring Jared Harris, Lee Pace, and Lou Llobell, show tells the tale of a band of exiles on their journey to save humanity and rebuild civilization as the Galactic Empire falls.
See the legendary Christopher Lloyd as you’ve never seen him before; go behind-the-scenes with Eyeline Studios, the VFX artists and show leads working with state-of-the-art volumetric capture technology as they produced the incredibly photoreal effect.
The founder-led merger will allow both teams to accelerate R&D, expand asset libraries, and collaborate on tools; current pricing and user support will not be disrupted.
From the ‘ants in an anthill’ frozen Infected to a monstrous bloater flamethrower fight, realistic CG dogs, and immense Jackson battle, Visual Effects Supervisor Alex Wang managed the delivery of 2,500 shots displaying incredible ambition, scope, and sophistication on the hit HBO post-apocalyptic drama series.
With ‘Star Trek: Scouts’ debuting today on YouTube, the famed franchise begins its rollout of all-new projects and activities celebrating ‘Space for Everybody’ that boldly hits warp speed this coming January.
All 3 shows take home 2 awards in the animation and VFX categories; ‘The Penguin’ wins for Special Visual Effects in a Single Episode at the awards ceremonies held over two days this weekend at the Peacock Theater in LA.
The VFX team crafted CG peepers for actors Benny Wong, Austin Abrams, and Alden Ehrenreich, and created previs that allowed safe ways for kids to perform stunts instead of using digital doubles.
The live-action videogame adaptation will be distributed as part of new global deal between Legendary and Paramount Pictures; hits theaters October 16, 2026.
Phoebe Waller-Bridge serves as creator, writer, executive producer, and co-showrunner on the Prime Video live-action project, which begins production January 19, 2026.
‘The Art of Golf’ competition invites non-professionals to reimagine the golf bag for the theme ‘Tradition Refreshed;’ entries close October 15.
The studio delivered both previs and techvis for the action-packed, 12-minute Air Force One action sequence on the Prime Video comedy starring John Cena and Idris Elba.
ILM’s 4-time Oscar-nominated production VFX supervisor Pablo Helman and VES Award-winning Framestore animation supervisor Dale Newton will dive deep into the visual effects of Jon M. Chu’s 2-part musical blockbuster that concludes this November; conference runs October 12-17 in Turin, Italy.
The companies will develop, produce, and distribute a live-action feature adaptation of the immensely popular first-person shooter videogame franchise.
Leading visualization studio launches new division to harness video-to-video AI tools for creator driven, cost-effective feature and episodic projects; shows in pre-production with the AI-tech company include ‘Cortés’ and ‘Space.’
The creative-tech collective’s latest finished projects include a ‘Blue Angels’ IMAX 3D conversion, a ‘Lilo & Stitch’ 3D reimagining, and the ‘Asteroid’ 8K HFR VFX experience.
Directed by Shawn Levy and starring Ryan Gosling, Flynn Gray, Aaron Pierre, Simon Bird, Jamael Westman, Daniel Ings, and Amy Adams, the upcoming standalone sci-fi adventure from Lucasfilm hits theaters May 28, 2027.
The leading visual effects company delivered environment extensions, full environment replacements, and crowd duplication… plus some CG animated golf balls, on Adam Sandler and Netflix’s hit comedy sequel to Sandler’s seminal 1996 hockey-golf romp, ‘Happy Gilmore.’
The exclusive online series, which features artist Lorin Wood, kicks off this September with live demos, lectures, and Q&As for artists worldwide.
Maggie Kang and Chris Appelhans, directors of the biggest Netflix film ever, plus VFX supervisors Ryan Tudhope and Daniele Bigi, will present their films in-person at the upcoming conference that runs October 12-17 in Turin, Italy.
The new DC Studios’ superhero film titles, which pay homage to the Greenberg Brothers’ 1978 ‘Superman’ opening titles, present an interplay of dynamic typography and volumetric light sequences that was achieved with analog and practical lighting techniques.
Veteran compositor Hank Chang explores the crucially important but low-profile world of invisible visual effects, where small digital changes elevate performances, smooth edits, and fix flaws that hopefully, the audience never sees.
2 new reels detail how the studio recreated Dream’s iconic throne room from Volume 1 and crafted the Volume 2 opening sequence on the Netflix fantasy series; the team created 72 shots, 38 sequences, 25 assets, and 29,720 frames.
Users can now batch add-to-cart, batch download, and batch export assets directly to the digital content creation (DCC) tool with one click.
Company unifies Cinema 4D, ZBrush, Redshift, and Red Giant in an ecosystem redesign, with new feature capabilities across VFX, 3D modeling, and motion graphics solutions.
Entries will be accepted through October 31, 2025 for projects released between January 1 and December 31, 2025; the awards gala is set for February 26, 2026.
Hit adaptation of Isaac Asimov’s famed saga of psychohistorian Hari Seldon gets another season; starring Jared Harris, Lee Pace, and Lou Llobell, show tells the tale of a band of exiles on their journey to save humanity and rebuild civilization as the Galactic Empire falls.
See the legendary Christopher Lloyd as you’ve never seen him before; go behind-the-scenes with Eyeline Studios, the VFX artists and show leads working with state-of-the-art volumetric capture technology as they produced the incredibly photoreal effect.
The founder-led merger will allow both teams to accelerate R&D, expand asset libraries, and collaborate on tools; current pricing and user support will not be disrupted.
From the ‘ants in an anthill’ frozen Infected to a monstrous bloater flamethrower fight, realistic CG dogs, and immense Jackson battle, Visual Effects Supervisor Alex Wang managed the delivery of 2,500 shots displaying incredible ambition, scope, and sophistication on the hit HBO post-apocalyptic drama series.
With ‘Star Trek: Scouts’ debuting today on YouTube, the famed franchise begins its rollout of all-new projects and activities celebrating ‘Space for Everybody’ that boldly hits warp speed this coming January.
All 3 shows take home 2 awards in the animation and VFX categories; ‘The Penguin’ wins for Special Visual Effects in a Single Episode at the awards ceremonies held over two days this weekend at the Peacock Theater in LA.
The VFX team crafted CG peepers for actors Benny Wong, Austin Abrams, and Alden Ehrenreich, and created previs that allowed safe ways for kids to perform stunts instead of using digital doubles.
The live-action videogame adaptation will be distributed as part of new global deal between Legendary and Paramount Pictures; hits theaters October 16, 2026.
Phoebe Waller-Bridge serves as creator, writer, executive producer, and co-showrunner on the Prime Video live-action project, which begins production January 19, 2026.
‘The Art of Golf’ competition invites non-professionals to reimagine the golf bag for the theme ‘Tradition Refreshed;’ entries close October 15.
The studio delivered both previs and techvis for the action-packed, 12-minute Air Force One action sequence on the Prime Video comedy starring John Cena and Idris Elba.
ILM’s 4-time Oscar-nominated production VFX supervisor Pablo Helman and VES Award-winning Framestore animation supervisor Dale Newton will dive deep into the visual effects of Jon M. Chu’s 2-part musical blockbuster that concludes this November; conference runs October 12-17 in Turin, Italy.
The companies will develop, produce, and distribute a live-action feature adaptation of the immensely popular first-person shooter videogame franchise.
Leading visualization studio launches new division to harness video-to-video AI tools for creator driven, cost-effective feature and episodic projects; shows in pre-production with the AI-tech company include ‘Cortés’ and ‘Space.’
The creative-tech collective’s latest finished projects include a ‘Blue Angels’ IMAX 3D conversion, a ‘Lilo & Stitch’ 3D reimagining, and the ‘Asteroid’ 8K HFR VFX experience.
Directed by Shawn Levy and starring Ryan Gosling, Flynn Gray, Aaron Pierre, Simon Bird, Jamael Westman, Daniel Ings, and Amy Adams, the upcoming standalone sci-fi adventure from Lucasfilm hits theaters May 28, 2027.
The leading visual effects company delivered environment extensions, full environment replacements, and crowd duplication… plus some CG animated golf balls, on Adam Sandler and Netflix’s hit comedy sequel to Sandler’s seminal 1996 hockey-golf romp, ‘Happy Gilmore.’
The exclusive online series, which features artist Lorin Wood, kicks off this September with live demos, lectures, and Q&As for artists worldwide.
Maggie Kang and Chris Appelhans, directors of the biggest Netflix film ever, plus VFX supervisors Ryan Tudhope and Daniele Bigi, will present their films in-person at the upcoming conference that runs October 12-17 in Turin, Italy.
The new DC Studios’ superhero film titles, which pay homage to the Greenberg Brothers’ 1978 ‘Superman’ opening titles, present an interplay of dynamic typography and volumetric light sequences that was achieved with analog and practical lighting techniques.
Veteran compositor Hank Chang explores the crucially important but low-profile world of invisible visual effects, where small digital changes elevate performances, smooth edits, and fix flaws that hopefully, the audience never sees.
2 new reels detail how the studio recreated Dream’s iconic throne room from Volume 1 and crafted the Volume 2 opening sequence on the Netflix fantasy series; the team created 72 shots, 38 sequences, 25 assets, and 29,720 frames.
