Do you have a new animated film, music video, commissioned work, video game, or VR film? Or maybe a short film or video game project in development? The Anifilm team would like to take this opportunity to remind you that the deadline for submissions to the festival competitions is 31 December 2025.
Animafest Zagreb 2026 call for entries: Short film deadline 1 Feb, Feature deadline 15 Mar
New campaign includes in-person immersive experiences at Los Angeles locations like The Grove and The Americana as well as 7 new lenses based on characters from the film.
The digital health company has added anime content to its platform, which specializes in a VR treatment, rather than eye patching, that encourages the brain to use both eyes together.
The all-new performance at the Meta Horizon virtual reality comedy club premieres October 30 with replays to follow on the web and mobile app as well.
Slovenia’s weeklong animation festival promises to deliver the best and latest productions from the Eastern and Central European film scene
The forum brings together production and post-production specialists to discuss the latest in research, advances, and industry practices; the conference takes place in London December 3-4
It’s less than one week away… the person behind the camera on Guillermo del Toro’s highly anticipated film joins more than 150 award-winning speakers from the world of animation, VFX, games and AI who will take part in a packed schedule of keynotes, talks, panels, workshops and masterclasses; event runs October 12-17 in Turin, Italy.
It’s just 2 weeks away… more than 150 award-winning speakers from the world of animation, VFX, games and AI will take part in a packed schedule of keynotes, talks, panels, workshops and masterclasses; event runs October 12-17 in Turin, Italy.
The all-new performance at the Meta Horizon virtual reality comedy club premieres October 2 with replays to follow on the web and mobile app as well.
The eighth annual festival returns to Los Angeles this October 9-10 to celebrate the convergence of art, technology, and entertainment; the Monolith Awards, hosted by Paul Debevec, Chief Research Officer of Eyeline Studios, will take place October 10.
Stuttgart International Festival of Animated Film (ITFS), one of Europe's leading animation festivals, is now open for submissions for its 2026 edition
The immersive XR work by Rose Bond explores the transformative power of protest through allusions to 1968.
This year, the festival was not quite so overtly political, but it still had an edge to it.
Annecy is definitely an overload of the senses...
The final performance in the summer series at the Meta Horizon virtual reality comedy club premieres August 7 with replays to follow; shows were originally filmed at Gilda’s LaughFest in Grand Rapids, now brought to life as avatars.
The Cleveland Institute of Art’s new Interactive Media Lab has Disney DNA.
Animafest Zagreb sticks to strong competition programming along with special programs with a nod to the annual theme.
The animated short from a team of students at ESMA about a rat fighting a pigeon for a small slice of pizza takes the Computer Animation Festival’s top award; conference runs August 10-14 in Vancouver.
Ugo Bienvenu's 2D feature film and the pinscreen short by Pierre-Luc Granjon are among the 23 winners at the jam packed 49th festival edition that saw a record 18,200 accredited attendees from 118 countries.
ASIFA-Hollywood celebrates the best the industry has to offer at animation’s most prestigious awards ceremony, February 21, 2026, at UCLA’s Royce Hall.
Ahead of tomorrow’s Day 1, the conference teases ‘Mufasa’ technical innovations, new VFX talks, Dave Gouge’s studio insights panel, targeted career sessions, and a short film YouTube series diving into topics such as taking cinematic images from Unreal Engine.
Winners of the creative challenges in animation, VFX, virtual production, and AR/VR to be revealed at the inaugural WAVES Summit running May 1-4 at the Jio World Convention Centre in Mumbai.
Director Natasha Lyonne co-writes and co-stars with Brit Marling, in collaboration with VR pioneer Jaron Lanier, to blend ethical AI with traditional filmmaking techniques.
Created through traditional hand-drawn animation as well as VR puppeteering, rendered 3D assets, motion tracking, and AI tools, the show, about a dysfunctional family of birds who host a talk show, will release across social platforms.
